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He spent a great deal of time immersing himself in nature, testing scientific laws, dissecting bodies (human and animal) and thinking and writing about his observations. Probably because of his abundance of diverse interests, da Vinci failed to complete a significant number of his paintings and projects. He saw science and art as complementary rather than distinct disciplines, and thought that ideas formulated in one realm could-and should-inform the other.

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Most notably, he believed that sight was mankindвЂ™s most important sense and that вЂњsaper vedereвЂќ(вЂњknowing how to seeвЂќ) was crucial to living all aspects of life fully. Several themes could be said to unite da VinciвЂ™s eclectic interests. He was, wrote Sigmund Freud, вЂњlike a man who awoke too early in the darkness, while the others were all still asleep.вЂќ He studied nature, mechanics, anatomy, physics, architecture, weaponry and more, often creating accurate, workable designs for machines like the bicycle, helicopter, submarine and military tank that would not come to fruition for centuries. Da Vinci spent seven years in Milan, followed by three more in Rome after Milan once again became inhospitable because of political strife.Дa VinciвЂ™s interests ranged far beyond fine art. It, too, was never completed (this time because Trivulzio scaled back his plan). Ironically, the victor over the Duke Ludovico Sforza, Gian Giacomo Trivulzio, commissioned da Vinci to sculpt his grand equestrian-statue tomb. Today, the portrait-the only da Vinci portrait from this period that survives-is housed at the Louvre Museum in Paris, France, where it attracts millions of visitors each year.ДЄround 1506, da Vinci returned to Milan, along with a group of his students and disciples, including young aristocrat Francesco Melzi, who would be LeonardoвЂ™s closest companion until the artistвЂ™s death. In the past she was often thought to be Mona Lisa Gherardini, a courtesan, but current scholarship indicates that she was Lisa del Giocondo, wife of Florentine merchant Francisco del Giocondo.

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There, he painted a series of portraits that included вЂњLa Gioconda,вЂќ a 21-by-31-inch work thatвЂ™s best known today as вЂњMona Lisa.вЂќ Painted between approximately 15, the woman depicted-especially because of her mysterious slight smile-has been the subject of speculation for centuries. When Milan was invaded by the French in 1499 and the Sforza family fled, da Vinci escaped as well, possibly first to Venice and then to Florence. Its composition, in which Jesus is centered among yet isolated from the Apostles, has influenced generations of painters. One of the paintingвЂ™s stellar features is each ApostleвЂ™s distinct emotive expression and body language. However, da Vinci never completed that piece, because shortly thereafter he relocated to Milan to work for the ruling Sforza clan, serving as an engineer, painter, architect, designer of court festivals and, most notably, a sculptor.ДЎ970 Young Lords occupy Lincoln Hospital in the Bronx Around 1482, he began to paint his first commissioned work, The Adoration of the Magi, for FlorenceвЂ™s San Donato, a Scopeto monastery. When he was 20, in 1472, the paintersвЂ™ guild of Florence offered da Vinci membership, but he remained with Verrocchio until he became an independent master in 1478. For about a decade, da Vinci refined his painting and sculpting techniques and trained in mechanical arts. Early CareerДa Vinci received no formal education beyond basic reading, writing and math, but his father appreciated his artistic talent and apprenticed him at around age 15 to the noted sculptor and painter Andrea del Verrocchio of Florence. Da VinciвЂ™s uncle, who had a particular appreciation for nature that da Vinci grew to share, also helped raise him. Beginning around age 5, he lived on the estate in Vinci that belonged to the family of his father, Ser Peiro, an attorney and notary. Da VinciвЂ™s parents werenвЂ™t married, and his mother, Caterina, a peasant, wed another man while da Vinci was very young and began a new family.

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